Commissions

In 2024 I designed the publication Brick, Bread and Biscuit, this book “presents outcomes from a two-year government-funded research project on the chemical recycling of precious metals from electronic waste for jewellery design in India. It is a collaboration between University of Edinburgh School of Chemistry’s Head of School, Prof Jason Love and the University of Dundee’s Prof Sandra Wilson who is personal chair in Ecological Metal Design. "Bread, Brick, and Biscuit" describes the work carried out in a EPSRC-GCRF funded project with metallurgists, metalsmiths, and designers from the UK and India.” Quote Source: https://chem.ed.ac.uk/news-events/news/(brick-bread-and-biscuit-new-goldrush 

"Essays on Salt–The First Harvest, examines salt’s role in labour, trade, food preservation, ritual and power. The publication compiles the voices of fourteen contributors and their reflections on salt and its narratives. This text reflect on the complexities of food systems and human relationships, using salt as both material and metaphor.⁠ The publication Essays on Salt–The First Harvest was produced and coedited by Dr Désirée Coral, coedited, concept design, book design, and blind embossed by Killian Dunne, printing, binding, technical knowledge, and design input by Neil Corall.⁠ This publication is supported by @outerspaces.scotland The research this project was supported by Freelands Foundation, Gray’s School of Art, St. Andrews Botanic Gardens and Peacock a workshop for art.⁠ Contributors:⁠ Dr Yaneth Acosta, Dr Jen Clarke, Dr Desiree Coral, Kam Chan, Dr Anne Daffertshoffer, Killian Dunne, Helen Love, Kevin Andrew Morris, Dr Tommaso Ranfagni, Arabella Joy Sciallo, Will Simpson, Dr May Rosenthal Sloan, Ane Smith, Dr Judith Winter.⁠" Peacock & the worm” https://www.instagram.com/p/DVTid-EkqWZ/?img_index=1

In 2021 I designed 79: Mine, yours, ours. This book documents the work created by the Artist Désirée Coral during her MFA at the School of the Art Institute of Chicago between 2016 and 2018. The body of work within the book explores the ecological and political consequences of gold mining in Ecuador. Works from this book were exhibited at MANA Contemporary, Gallery 1922, Sullivan Galleries, David Salkin Creative as well as the Museum of Contemporary Art in Detroit.

In 2024 I designed the Living Table publication. “The publication documents the Living Table project which was conceived and curated by G.R.E.E.N. Artist in Residence, Désirée Coral. The Living Table publication includes written and/or visual contributions from Alaya Ang, Amanda Thomson, Cath Keay, Daniela Roepke, Edward Summerton, Elizabet Reeder, Helena Simmons, Irene Aldazabal, Kevin Kaempf, Pernille Spence, Zoe Irvine, Rita Valencia, Rowan Lear, Tommaso Ranfagni, and Valeria Mata. Designed by Killian Dunne and edited by Tom Varley.” Quote reference: https://www.forganartscentre.co.uk/living-table-publication-launch/

“The Magic Circle, an artist’s book created in collaboration with Alan Grieve, Gair Dunlop, Bill Duncan and Harris Grieve.” “this surreal and lyrical artist’s book explores the story of Alexander Keillor, the Dundonian marmalade magnate who used his wealth to buy and reset Avebury stone circle in Wiltshire, the largest neolithic stone circle in the world. Through conversations with invited guests, Summerton will discuss the book’s creation and the complex entanglement of class, wealth and power.” Quotes reference: https://www.royalscottishacademy.org/events/102-magic-circle-book-launch-discussion/